Amour (2012) by Michael Haneke

“Also, I wanted to avoid making my film a “social drama”. There have been enough films that present these themes as a social drama, that deal with context and environment, with hospitals, ambulances and doctors. That’s not what I was trying to do. I didn’t want to make a social drama, but an existential drama that deals with the question: “How do I cope with the suffering of a loved one?”.” - Michael Haneke

Amour (2012) by Michael Haneke

“In fact, [Jean-Louis Trintignant] hadn’t worked in the movies for 14 years prior to working on my film. I wrote the script for him… He read it and liked it and was so enthusiastic about the film that it was relatively easy to convince him to come on board for this project.  In fact, he was going through a difficult situation personally. He was unwell and wanted to commit suicide. My producer told him, “Well, make the film first, and then you can commit suicide.”” - Michael Haneke

“Consider the pigeon just a pigeon. You can interpret it any way you want. I wouldn’t describe it as a symbol. I have problems with symbols, because they always mean something specific. I don’t know what the pigeon means. All that I know for certain, I think, is that the pigeon appears. It may symbolize something in particular to Georges and individual viewers, but it doesn’t symbolize anything to me. You have to be careful when you deal with elements with multiple meanings, they must be dealt with ambiguously… [Y]ou could regard that as a metaphor, as an opportunity to see it as more than it is. But you don’t have to. There are lots of pigeons in Paris.” - Michael Haneke

“The sun was beginning to pull the curtains on the day. It was a placid explosion of orange and red, a great chromatic symphony, a colour canvas of supernatural proportions, truly a splendid Pacific sunset…”

Life of Pi: A Novel (2001) by Yann Martel // Life of Pi (2012) by Ang Lee

“The truth of life is that… the spiritual soul touches upon the world soul like a well reaches for the water table. That which sustains the universe beyond thought and language, and that which is at the core of us and struggles for expression, is the same thing. The finite within the infinite, the infinite within the finite.”

Life of Pi: A Novel (2001) by Yann Martel // Life of Pi (2012) by Ang Lee

“There were many skies. The sky was invaded by great white clouds, flat on the bottom but round and billowy on top. The sky was completely cloudless, of a blue quite shattering to the senses. The sky was a heavy, suffocating blanket of grey cloud, but without promise of rain. The sky was thinly overcast. The sky was dappled with small, white fleecy clouds. The sky was streaked with high, thin clouds that looked like a cotton ball stretched apart. The sky was a featureless milky haze. The sky was a density of dark and blustery rain clouds that passed by without delivering rain. The sky was painted with a small number of flat clouds that looked like sandbars. The sky was a mere block to allow a visual effect on the horizon: sunlight flooding the ocean, the vertical edges between light and shadow perfectly distinct. The sky was a distant black curtain of falling rain. The sky was many clouds at many levels, some thick and opaque, others looking like smoke. The sky was black and spitting rain on my smiling face. The sky was nothing but falling water, a ceaseless deluge that wrinkled and bloated my skin and froze me stiff.”

Life of Pi: A Novel (2001) by Yann Martel // Life of Pi (2012) by Ang Lee

“I heard a splash. I looked down at the water. I gasped… With just one glance I discovered that the sea is a city. Just below me, all around, unsuspected by me, were highways, boulevards, streets and roundabouts bustling with submarine traffic. In water that was dense, glassy and flecked by millions of lit-up specks of plankton, fish like trucks and buses and cars and bicycles and pedestrians were madly racing about, no doubt honking and hollering at each other. The predominant colour was green. At multiple depths, as far as I could see, there were evanescent trails of phosphorescent green bubbles, the wake of speeding fish. These trails came from all directions. They were like those time-exposure photographs you see of cities at night, with the long red streaks.”

Life of Pi: A Novel (2001) by Yann Martel // Life of Pi (2012) by Ang Lee

“Words of divine consciousness: moral exaltation; lasting feelings of elevation, elation, joy; a quickening of the moral sense, which strikes one as more important than an intellectual understanding of things; an alignment of the universe along moral lines, not intellectual ones; a realization that the founding principle of existence is what we call love, which works itself out sometimes not clearly, not cleanly, not immediately, nonetheless ineluctably.”

Life of Pi: A Novel (2001) by Yann Martel // Life of Pi (2012) by Ang Lee

”[A] white splinter came crashing down from the sky, puncturing the water. It was some distance from the lifeboat but the effect was perfectly visible. The water was shot through with what looked like white roots; briefly, a great celestial tree stood in the ocean… For two, perhaps three seconds, a gigantic blinding white shard of glass from a broken cosmic window danced in the sky, insubstantial yet overwhelmingly powerful… I was breathless and wordless. I lay back on the tarpaulin, arms and legs spread wide. The rain chilled me to the bone. But I was smiling. I remember that close encounter with electrocution and third-degree burns as one of the few times during my ordeal when I felt genuine happiness. At moments of wonder, it is easy to avoid small thinking, to entertain thoughts that span the universe, that capture both thunder and tinkle, thick and thin, the near and the far.”

Life of Pi: A Novel (2001) by Yann Martel // Life of Pi (2012) by Ang Lee

All About Lily Chou-Chou (2001) Shunji Iwai 

All About Lily Chou-Chou (2001) Shunji Iwai 

All About Lily Chou-Chou (2001) Shunji Iwai 

All About Lily Chou-Chou (2001) Shunji Iwai 

All About Lily Chou-Chou (2001) Shunji Iwai 

All About Lily Chou-Chou (2001) Shunji Iwai 

All About Lily Chou-Chou (2001) Shunji Iwai